Press Release

The Museum of Modern Art 
For Immediate Release 
July 1987 
July 23 - October 13, 1987 
The Museum of Modern Art's PROJECTS series moves outdoors this summer with 
an installation by American artist Tom Otterness in the Abby Aldrich 
Rockefeller Sculpture Garden. Organized by Linda Shearer, curator in the 
Department of Painting and Sculpture and director of the series, the exhibition 
consists of Otterness's large-scale bronze and Cor-Ten steel sculpture, The 
Otterness's work first began to receive public recognition in the early 
eighties with his white plaster friezes depicting plump, comical "doughboys" 
that act out the sociopolitical turmoil of a fictional society. By 1985 he 
added toylike figures, both humanoid and animal, which continue to explore the 
artist's favorite themes of love and war, creation and destruction. 
The Tables, begun in 1986, is his most ambitious undertaking to date. The 
work consists of three oversized, steel picnic tables, populated by more than 
100 bronze objects ranging 1n height from three inches to three feet. Although 
unusually monumental—the entire sculpture is thirty-eight feet long—the 
familiar nature of the picnic table invites visitors to sit on a bench and 
enter the sculptural drama of Otterness's fantasy world. Ms. Shearer writes in 
the brochure accompanying the exhibition, "Like Swift and in similar symbolic 
language, Otterness gives us a fairy-tale model of a civilization 1n 

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Ms. Shearer continues, "The struggle between good and evil and, more 
importantly, the ambiguity with which it resounds, lie at the core of 
Otterness's work. As we sit down at these bedeviled picnic tables, the feast 
before us reminds us of the follies and absurdities that have blighted all 
civilizations, past and present." 
Tom Otterness was born in 1952 in Wichita, Kansas, and trained at the Arts 
Students League of New York and the Whitney Museum of American Art's 
Independent Study Program. While working as an experimental filmmaker in the 
late-seventies, he became active with Collaborative Projects, Inc. (Colab), an 
artist's organization committed to political involvement and social change. 
Since 1983, he has had three individual exhibitions at the Brooke Alexander 
Gallery, New York, and one in Cologne, West Germany. His sculpture has also 
been included in a variety of group exhibitions here and abroad. 
PROJECTS, a series of exhibitions devoted to the work of contemporary 
artists, 1s made possible by generous grants from the National Endowment for 
the Arts, the Lannan Foundation, and J.P. Morgan and Co. Incorporated. A 
second exhibition, PROJECTS: MICHAEL YOUNG 1s running concurrently in the 
Museum's Garden Hall Gallery through September 7, 1987. 
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